Foxing is an indie band whose mature slow-burner “Dealer” reflects a conscious, experimental step forward. It’s a sonically adventurous release and stands in stark contrast to the style of “The Albatross,” their debut, which became a flagship for the so-called “emo-revival.”
Read MoreWild Powwers are a punk band who have transitioned over the years from the name Powers to Powwers and finally to Wild Powwers. The colorful trio is known around Seattle for their aggressive live show and Lupe Flores’ thundering percussion.
Read MoreTUFT is rooted in folk music but manifests itself as lush, brooding, post-rock influenced indie.
Read MoreHonduras is a post-punk band who write surfy, ambling guitar rock under a decisively monotone vocal delivery.
Read MoreThe Soorleys are a joyous stomp-and-holler band from down under. They’re truly a family band and are all siblings, partners, or in-laws.
Read MoreTigerwine is a 2000’s alt rock-obsessed three-piece who want to be the loudest band in the world.
Read MoreThe Island of Misfit Toys are an emo and indie punk band. They’re a large group whose individual contributions make for a positively electric whole.
Read MoreRipe is a pop band influenced by jazz, soul, and rock. They’re led by the fearless and joyously inviting presence of frontman Robbie Wulfsohn.
Read MoreWaco Brothers are an alt-country punk band whose intense and provocative live performances are a staple of their cult fan base.
Read MoreKim Logan is a renaissance woman whose list of collaborations includes poetry, fashion design, film-making, and opera. Her Sarasota, FL roots burst forth from this influx of creative energy to form the Southern swamp-rock outfit she vivaciously fronts to this day.
Read MoreThe Wild Reeds are a folk pop quintet led by three women whose voices are effortlessly in sync with one anothers’ individual, intertwining timbres bound across, under, and through one another to create complex vocal arrangements.
Read MoreIdiot Glee is the woozy experimental piano project of “post doo-wop” songwriter James Friley. The name exists as a shapeshifting moniker for the umbrella of Friley’s dissonant, diverse musical excursions.
Read MoreLow Cut Connie has a piano named Shondra. She’s traveled everywhere with the band, bringing their righteous rock n’ roll to dingy bars and swanky cocktail clubs across the US.
Read MoreGreat Caesar is a Western-influenced indie folk band who first caught the critical eye for releasing a concept video for “Don’t Ask Me Why” which centered on the modern fight for gender and sexual equality.
Read MoreThe Cardboard Swords are an emo pop band from West Michigan who are tied into the fervent DIY scene. Their confessional lyrical content is delivered with fluttering, pull-off guitar work and a thumping rhythm section.
Read More“Awful Creature” is instrumentally limited but not meager, simply constructed but not barren. He packs a punch with every noisy chord stroke, plucky lick, and vocal line, weaving soft ballads together with ever-changing guitar parts and a versatile vocal delivery.
Read MoreOhmme (formerly Homme) is a vocal project with a gnarled, grizzly, fuzzed-out guitar backbone between duo Macie Stewart and Sima Cunningham.
Read MoreEl Ten Eleven is a looping duo whose patient and focused instrumental vamps are built and performed without the help of tracks or samples.
Read MoreCome Wind is a progressive indie rock band whose key members came together in 2010. They self-released two EP’s, “Wanderer, O’Wanderer” in 2010 and Grow My Roots in 2012.
Read MoreCaspian is a heavy post-rock band whose fourth full-length “Dust And Disquiet” showcases the band’s evolved songwriting prowess.
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